Saturday, April 20, 2013

Questing and Traveling

Quest (n.): a search or pursuit made in order to find or obtain something: a quest for uranium mines; a quest for knowledge (dictionary.com)

A quest is traditionally a journey, for one seldom gets what one wants by standing still, but nowadays quests take place in one place (usually New York City), whether for a job, for a partner, or for a good public school. The hero doesn't stand still; she (or he) runs around, often in circles. It's a rat race.

Maybe that is unfair. Stories don't only take place in the City Where Nothing Is Ever Good Enough The City that Never Sleeps. Stories can take place wholly in a small town, where the moving is of the souls, usually towards each other, whether in new love or healing old hurt.

Traditional quests though, are about moving and searching and encountering things stranger and greater than seen at home. What is the purpose of questing? What are we searching for when we travel? To see from different perspectives? Perhaps to find a different place, because one never belonged anyway. Either way, you always come back changed.

I am starting to like the quotes on Mindbloom, or at least my collection of them. Among quotes devoted to treating your body like a temple, eating well to live well, and treating the earth respectfully are quotes related to the usefulness of art, imagination, and books. I need more quotes about books. Books are a wonderful way to travel, not only through places and on quests, but through other people's eyes.

A sociology professor at my university once quoted a man who said, "I don't read books. I live them." I don't see why one can't do both. So that is what I am trying to do. I want to live a life worth writing about. I hope it won't be a tragedy, or even a drama. But I do hope it might be a travelogue. My AP Literature teacher confused the hell out of me by asking us (while we were studying Heart of Darkness) what the point of a travelogue was (and then never telling us). I have thought long and hard about what the point is. I still don't have the answer.

Instead, I'll just share a few of my favorite quotes about traveling.

For Perspective and Education
“The world is a book and those who do not travel read only one page.” – St. Augustine
"One's destination is never a place, but a new way of seeing things." – Henry Miller
"Travel far enough, you meet yourself." – David Mitchell

For it's own Sake 
“It is good to have an end to journey toward, but it is the journey that matters in the end.” – Ursula K. Leguin
“For my part, I travel not to go anywhere, but to go. I travel for travel’s sake. The great affair is to move.” – Robert Louis Stevenson
"To travel is to live." – Hans Christian Anderson

Miscellaneous: For Adventure, Renewal, and to Seek
"All journeys have secret destinations of which the traveler is unaware." – Anon
“You lose sight of things… and when you travel, everything balances out.” – Daranna Gidel
“We travel, some of us forever, to seek other states, other lives, other souls.” – Anais Nin
 

Friday, April 5, 2013

7 Rules for Writing in the Internet Age

Bora Zivkovic wrote an article posted in the Scientific American has some tips on how to break into science writing, but it has good advice on how to write, or get read, in the internet age. His original piece is a mine of useful links, but I'm posting a summary below for my own purposes.

1) Find a niche:
"Try to figure out your beat (or obsession) – what is it that excites you the most? Write about that. Try to find your own niche. Become a “go to” person on a particular topic, become an expert (or at least a temporary expert) on that topic" (18).

2) But show your writing versatility:
"Practice the usual journalistic forms – the feature, the interview, the brief news story with inverted pyramid. You will need to demonstrate that you are capable of writing in such forms and styles. But don’t limit yourself to traditional forms. Experiment with new forms. Explain animal behavior by letting animals have a dialogue. Explain science in the form of a fairy tale, Science Fiction or a poem. Try your hand at photography. Draw or paint or graph your own art, illustrations, infographics, cartoons and comic strips. Put some effort into making a video or animation every now and then. Record a podcast sometimes. Give data journalism a try. Try your hand at learning to code (but see). See what works for you" (17).

Also, see this prezi.


3) Don't worry about what's hip:
Blog with some regularity, even if it's just a few links, but you don't have to blog every day. Your readers will find you if they like you Make your blogs as long or as short as you want.

4) Practice:
Writing, of course, even if it's not something you publish, but also reading. How do writers accomplish their goals. Emulate them until you develop your own style. Pay attention to what editors change about your writing.

5) Get some training:
In addition to full-on master programs, there are summer workshops. You can also try an internship.
Educate yourself about writing ethics. Build credibility by citing your sources. Moderate your comments and be present to respond to comments occasionally.

6) Promote yourself:
Don't be afraid to write for free. Nominate yourself for awards. Submit to contests. Make a nice homepage with a simple URL that contains links to everywhere else you are present on the web.

"Your blog can serve as your homepage, or be a prominent and central part of your homepage. If not, make sure your homepage prominently links to your external blog. Make sure your homepage has a well written and accurate About/Bio page, contact information, link to your CV, and your Portfolio with links to all of your published work (perhaps your photography or videos or art on separate tabs). And of course, provide links to all the social media where you have accounts."

As for managing social media, Zivkovic recommends choosing two that work well for you (probably twitter, a professional facebook account, and google+ for the heck of it) and managing those, but also get accounts at other ones that can link back to your homepage.

7) Collaborate instead of compete:
Before, newspapers had to compete for readers. Now, there's so much competition that media outlets need to make allegiances with other media outlets with similar goals. After all, there's so much bad stuff to wade through, the best way to get your message out is to get other people to recommend it--if you recommend messages of similar caliber. This makes sense. Previous advice on how to get into blogging suggests that you comment on other blog posts and post a blog roll. It's also a good idea to join a group blog or do guest posts. Attend some events and network.

Thursday, April 4, 2013

Mindbloom Review: Grow Your Productivity

I just did some floor exercises. Usually, I would continue surfing abyss of the internet, not even really reading anymore, but scanning, but I was smart enough to recognize the diminishing marginal returns. That, and I wanted to water my poor tree.

You see, in Mindbloom, every time you complete a task that you've set yourself, a little rain cloud hovers over your tree and your tree gets 5-10% more water. Of course, your tree also needs sunlight, which can be accomplished by you viewing your inspirational quotes and pictures once a day for a 10% sunshine boost. If that's not enough sunshine for you, you can also add inspiration to your inspiration roll.

I like Mindbloom. I came across in lifehacker. It's like a productivity game. When I tried to get one of my friends to try it though, she asked me if I was trying to ruin her life. That's because "productivity game" is an oxymoron, and the danger is that you can sucked into the game part instead of the productivity part. You can also hack your own game. It is fun though, like Sims for your real life (which means that it caters to the superego instead of the id). Why get satisfaction out of making your Sim wash the dishes when you can grow a virtual tree by actually washing the dishes?

My boyfriend would make fun of me for the above statement, but Mindbloom works fairly well for me. I'm not interested in culling through quotes, pictures, and music to find the perfect montage of inspiration (though there are some nice quotes in there). This can actually be a downside, because my tree is skewed in terms of its water/sunshine ratio. I really just want to water my tree though. I get sad when its leaves turn brown (or red), even though I swear I've been more consistent about my goals than usual (maybe I'm just setting the bar too high?).

That's one of the nice things about Mindbloom. It has a built-in calendar so you can go back and check how consistent you've been completing your tasks. It can aid you in your quest to form a habit (research shows it takes 21 days).

Mindbloom can also replace your to-do list, as long as your to-do list has a lot of repetition built into it. You probably need a separate to-do list  though, for more specific tasks or tasks that you'll only do once (unless you just want an excuse to add it and water your tree).

Mindbloom is also tapped into the most motivating factor of productivity: the observation effect.

Okay, there has to be a better name for it. But people do tend to perform better when they know they are being watched. More importantly, if you have a companion who pushes you keep up a habit (as opposed to agreeing with you that it's better to sleep in than go jogging), or even push you to do more, you are more likely to succeed. Plus, it might just look bad to have a dead tree in your backyard. Mindbloom also allows you to send rain or sunshine to your friends if you've accrued enough seeds, which serves as a kind of virtual encouragement.

So that's the good. Now for the bad. Like I said, I don't like the inspiration gathering aspect of it. It might help some people, but it doesn't do much for me. Plus, adding new inspiration is a potential time-waster. My other critique is that Mindbloom doesn't have a button to let you water your tree more than once a day for the same task. For example, when I finish writing this blog post, I get to water my tree again. But what if I write two blog posts? If I work on Chinese for 10 minutes (one of my set tasks), I get to water my tree. But what if I work on it for 3 hours (which is really what I should be doing)? Of course, I can get around that by setting another task, like "write two blog posts," but then my tree might suffer because I never write two blog posts in one day, and the extra task makes my leaves bigger, which means that it needs more water.

Hopefully Mindbloom can add a feature that allows for watering more than once for a task a day soon. If not, it's not a big deal. My main issue is that there is no real ipad/iphone app for Mindbloom. They have a version called Bloom, but it doesn't sync up with Mindbloom on your computer, and it seems designed to get money out of you. I don't grudge them that much for it. After all, the company has to make money somehow. Unfortunately for them I won't be participating in it.

Now, if you'll excuse me. I'm going to water my tree.


Tuesday, February 5, 2013

Why Teach (Private School)?

Why teach at all? Why teach when it takes so much time and pays so little money (even taking into account the two months off)? Why teach when the people you manage are held hostage there, not by income, but by law? Why teach when your students may have little to no respect for you or your profession?

There are some standard answers. To pass on knowledge. To engage intellect. To challenge. To inspire. As if those things were exclusive to teaching.

If you teach at certain public schools, you can say even more. To ensure a basic human right. To mitigate the existence of institutional barriers. To provide a safe and nurturing environment.

But why teach at the private school level? Sure, the money's better, but not that good (it's still teaching). There isn't necessarily a guarantee of a better home environment, though the behavioral issues will be different. A higher standard of intellect is expected, usually (or a higher rate of grade inflation).

Why teach with the knowledge that some students hate your guts, simply because you've done your job?

There are ways to console yourself. You can engage in some form of mudslinging. You can say that you're better than them, and say that they'll get theirs, when they get into college or the real world and can't perform. Unfortunately, poetic justice is just that--poetic. It is symptomatic of literature not because it reflects real life, but real desires. The truth is, a mediocre or failing student of mine will live a more comfortable life than me, simply because he or she was born into a family with more money than mine (just look at George W. Bush).

It's not just the greater opportunity my students were born with that will aid them, it is also their willingness to take what they don't deserve. Despite Aristotle's attempted conflation of goodness and happiness, it just isn't true. Nice guys often do finish last. It seems so unfair that while I am trapped in a cage of my insecurities, my own harshest judge, they are in a bubble sustained by the idea that they can do no wrong.

But happiness is overrated. When I was studying Aristotle in college, I did take issue with happiness being the highest possible good. I tried to think of an alternative, but the best my aspiring intellectual self could come up with was wisdom. I wasn't sure why wisdom should be a higher goal than happiness, but it appealed more to me. It was something I would be willing to suffer for. After all, isn't ignorance bliss? Wasn't I actually toiling through the readings for class while others partied not just so I could get better grades and a better job, but because I wanted to understand the material? (The truth is I enjoyed most of the readings, so it was still about my personal happiness.)

Happiness studies have really flourished. I, too, am suspect to the craze. I want to be happy (or happier, or happy on a more consistent basis). A lot of happiness research was covered by Penelope Trunk, who ultimately decided that happiness lost to being interesting. So maybe I am teaching not because it will lead to a more comfortable, stress-free life, but because it is intellectually stimulating and creatively challenging. That's a good argument. Except that I could get a job that is intellectually stimulating, creatively challenging, pays more, and makes a more perceivable impact.

Emily Esfahani Smith really hit on it.* We don't do things to be happy. We procrastinate to be happy. We go on vacation to be happy. But happiness is not most people's primary motivation. We all want fulfillment, which for most humans means meaning. Meaning for a a large section of the population (I hope) is integrity, even in the face of overwhelming odds.

Public school teachers go to work hoping to catch kids, to raise them up. Sometimes all they can be is a stepping stone. Private school teachers go to work to try and prevent kids from being corrupt. Maybe the best we can hope for is to be a stumbling block on their way to asshattery.

*or her source, Roy Baumeister, did

Monday, July 16, 2012

How to Cultivate Style and Substance

Penelope Trunk has an interesting post about why the publishing industry sucks. I have to admit I merely skimmed it. Though her writing, informal, assured, and confessional, is mostly entertaining, I wasn't in the mood for her digressive lists today. The main point of the blog post is that the publishing industry has no idea how to promote books, mostly because Amazon is withholding their demographic information of book buyers. Also, again, publishing is dying. The exception may be fiction writing, of which the acceptance by a publishing house is still considered a measure of quality.

This may change though. After all, although Shades of Grey, a self-published novel, is almost universally derided as an example of bad writing, it's still a best seller. In addition, the Twilight series, published by Little, Brown and Company (of the Little Brown Handbook?!) is also a best seller, a major movie franchise, and also generally derided as an example of bad writing (among other things). Therefore, publishing companies may be willing to publish more and more best-selling trash in order to stay afloat.

My boyfriend wrote a post about why writing is hard. Writing well is difficult and writing something worth saying is almost impossible. I think those are two separate things though. Writing well is about style and is a skill that must be honed. Writing something worth saying is about content and critical thinking. I'm not sure where this comes from. Probably from one of the following a) inspiration b) a unique perspective of the world c) research d) experience e) all of the above.

When teaching writing, we do try to have students come up with unique theses and then make them support them with logical and convincing topic sentences, concrete detail, and commentary. The other half is to get them to write well.

Unfortunately, these two things do not always overlap. I am fond of reading The New York Times, but I often read the "Style" section, where articles with subjects as insipid as New York socialites holding viewing parties of Downton  Abbey (sometimes dressing up in tiaras). I have to admit, though, that New York Times articles are invariably well-written.

On the other hand, I also like reading Psychology Today. The articles are not always brimming with content, but the main problem is the inconsistency of the writing. Some articles are very short; so much so that they can hardly be called articles. Some articles are overly long; one article was 3 webpages long, getting to its main point in the last page. The extra padding did nothing to illuminate the idea. Some articles are weighed down by gimmicky terms in a bid for unique branding. They are all written by people with advanced degrees in psychology. Many of them spend their careers in pursuit of unique ideas in psychology.

Here's the rub. To be a skilled writer, according to a book by Malcolm Gladwell, one of those writers who has mastered both being skilled and being interesting, one should have 10,000 hours of practice. Writers probably develop that skill by writing for hours a day, sometimes about insipid subjects. To be an interesting idea, you need to . . . do things other than write.

After all, it is the job of lots of PhDs in the world to think of interesting ideas, which they then try to prove them true (at least some of the time). Most of them then proceed to write badly* about them because they were too busy researching to develop writing skills.

Let's just say that having something worth saying has to do with creativity, something as ambiguous as inspiration. People have endeavored to study it though. Research implies that creativity comes from having time to think alone, but also exposure to different opinions. Supposedly, one discovers one's unique perspective of the world through opposition to others. Ways to discover this opposition could occur through research or experience.

In which case the best way to write something with both style and substance would be to read a lot of well-written texts on a variety of interesting ideas, or at the very least a lot of texts on a variety of interesting ideas, at least some of which are well-written. We can then do what Buzzfeed does and just take popular ideas and then rewrite them in a more coherent, more developed way. But the most important thing is to read; read like we breathe.

*as stated by my social psychology professor, Matthew Lieberman.

Wednesday, July 4, 2012

Overentertaining Engagement

American students are spoiled.* There, I said it. This New Yorker article assumes that people already know that American children are spoiled, its thesis mostly couched in the "why?" But if American children are spoiled, doesn't if follow that American students are spoiled as well?

*While I am focusing on American students, this does not necessarily mean other nations' students are not spoiled.

To clarify, spoiled doesn't necessarily mean well-equipped. Far from it. More often children/students are spoiled in direct proportion to how neglected they are, not the other way around. You can picture the child with the latest DSL, PSP, X-box, what have you, but no discipline, but also picture students whose classes have been dumbed down to the point of having coloring for homework in high school. Of course students won't perform such token homework; it doesn't teach them anything. Both of these children are lacking in responsibility, giving them the impression that they cannot handle responsibility.

I think there's too much emphasis on teachers being "engaging." If engaging means meaningful and interactive, then school should of course be engaging. However, more often than not engaging means entertaining. The best teachers would be entertaining as well as engaging, but even they can't keep it up 100% of the time. Not even academy award winning movies entertain everyone all the time.

I and many of my friends were(are) good students, which means we learned the material regardless of the teacher. I'm not one of those people who claims to have learned nothing in college, in part because I actually put effort into my classes and found them engaging. Chicken or egg?

But I was a terrible student in Chinese school. The worst. While I had one of the highest reading levels and was doing extra math from a textbook a grade level up in regular elementary, in Chinese school I was one of those kids who stares at the wall the entire time, doesn't do homework, and writes nothing on tests. Chinese school was volunteer run by parents, not teachers, so . . . they weren't necessarily the best teachers. I certainly don't remember any of them being engaging. Would I have paid attention if my teachers had been? Maybe, but what would have helped me a lot more was if I had had adequate training and materials.

I was not properly placed at Chinese school. All of my classmates knew bo po mo fo (ㄈ) ABCs of Mandarin Chinese. To this day I still don't know this system. Therefore, unless I memorized what sound went with each character in class, I had no reference. My spoken Chinese was also subpar, and we were using Taiwanese elementary textbooks (most 2nd language Chinese textbooks are designed for adults; Chinese elementary textbooks would use simplified characters). That mean there was no English. At all. Which meant that even if I had known the sound for the character, I wouldn't have known the meaning.

These obstacles wouldn't necessarily have made it impossible for me to learn Chinese, but they did decrease my motivation to the point that I made it impossible. Engaging should mean meaningful, not necessarily fun.

No offense to Sir Ken Robinson or anything, but sometimes you need a factory-type system. While unfortunately schools are becoming more and more factory-like, often what you get in schools is a system that fosters neither creativity nor competence (as in literacy). Prepping for standardized tests is definitely not creative, but neither is it meaningful. Students are not taught self-discipline for the sake of accomplishment; they're taught to eat up SAT classes and their tips and tricks to game the system (I kid you know; my students take an SAT class that for the essay portion teaches them to write large, fill up the page, and even tells them how many lines per paragraph to write. Then my students talk about how they like to end a paragraph at the beginning of a line, so that it looks like the essay takes up more space--see?).

I have issues with unschooling, a movement that has hijacked Ken Robinson the way Fundamentalist Christians have hijacked Jesus. They propose no schooling at all, focusing instead on pure, self-directed exploration.

Bad idea. There's a time and place for unschooling. It's not during school time. It's probably not during dinner time or chore time or bedtime either (but I'm not focusing on the degradation of children in general). Just because a system has swung too far to one side doesn't mean the solution is to swing to the other extreme. Ken Robinson said that creativity is as important as literacy, not that it should supersede it. Students need to take some time to know something so that they can deconstruct and reconstruct it. And hey, MATCH schools and Asian test scores agree with me (please see Outliers by Malcolm Gladwell).

MATCH schools serves underpriviledged kids. Un/Homeschooling is only viable for the middle class and above. Either one parent has to take time off work or the family needs money for a private teacher or the family has to pay for multiple non-public school classes. Let's face it. People who attempt this have college degrees. Their children will have the cultural capital to go to college. Children of well-heeled parents come back to school in the fall knowing more than they did in the spring. Good for them and their summer camps and private tutoring. Low-income children, however, come back to school in the fall knowing less than they did in the spring, because they spent a majority of their summer in front of the TV.

MATCH works as a socioeconomic equalizer partially by keeping kids in school longer by extending the school day, the school week, and the school year. Time spent learning is as important as method of learning. I would like to digress for a moment now and argue that schools dramatically reduce summer vacation (who can afford the childcare, anyway?). That way, we can teach slower, but better. We can even reduce homework, the way Race to Nowhere wants us to. This would also benefit teachers because 1) We wouldn't be called lazy for not working in the summer (although my boyfriend has scheduled 5 hours a day for prepping for his classes) 2) we can work less overtime doing prepping and grading. After all, a larger than 40 hour workweek has increasingly diminishing returns on productivity.

Asian National children really outperform American children, including that 2% of Asian Americans, at math. This has nothing to do with genetics and everything with culture. There is a direct correlation between percentage of test finished and percentage score, which means that Asian children don't necessarily get a bigger percentage of math questions right; they just do more of the test. Of course, it's unreasonable for ask a 3rd grader to sit and take a test for several hours. Unless you're Asian. In Taiwan, these kids start schooling at age 2, including for English. When they're old enough to go to real school, they go to class after class.

This is not necessarily a good thing. The pressure for kids in Asia (or at least in Taiwan) is too high. For one thing, there is rampant cheating (i.e. copying of homework) in schools. For another thing, there isn't much room for creativity, discovery, and experimentation. Americans don't want to be like Asia. We are arguably more creative and definitely more independent. That means we're more likely to be entrepreneurial. However, if you do work at a start-up, you have to be prepared to work a lot. Mature a couple of hours at a time for a 3rd grader to an adult standard.

Furthermore, all of this work? It ain't gonna be all fun and games, even if you love the field and the work is really meaningful to you (as it should be), it won't necessarily be entertaining all the time. It may not even be engaging. There's always the red tape bureaucracy and persnickety details you don't have the money to pay someone else to take care of.

For example, my Chinese is now good enough that I'm learning fairly complex Chinese characters (i.e. 幫, which means help). My teacher has taught us all sorts of semantic tricks using the radicals (those individual shapes) involving sound and meaning. It helps a lot (I remember the previous character by remembering that if they are two dirt clods on a white cloth, even an inch would be a lot of help).

However, at the end of the day, the only way to know 1500+ characters instantly (2000 is barely enough to read a newspaper; 8000 characters is considered fluent) is to write them over and over again, repeating the word whilst writing it. So I don't mind if my students don't find their homework interesting. It's not supposed to be. It's practice, which by definition is repetition. That doesn't mean it's not engaging.

Writing goals

Writing Prompt #4: Acknowledge that writing is hard. Write it down. Then write about how
you are going to make writing happen. How will you find the balance in
yourself to combine willpower with relaxation, stubbornness with joy?
Write about how you've struck this balance in the past with writing, a
sport, playing an instrument--anything you've done.

Writing is hard (even if it's typing). I am going to make writing happen by
1) following these writing prompts
2) jotting down whatever ideas come into my head
3) taking the time to revisit and actually write about ideas I've written down, even if I'm not inspired by them at the moment.
4) setting aside time every morning to write

Willpower means sitting down to write every day. I might need more willpower to wake up at an earlier time that makes this feasible. Relaxation can be achieved by allowing myself to stop writing after an hour if I'm stuck, but also allowing me to continue writing until I am done. I should also get up at least once an hour to walk around (sitting down for 2 hours hurts). I'm seldom stubborn about writing, except when I should really be doing something else. I suppose I'm stubborn about changing my writing sometimes. I can cut stuff out of my writing if I really think it will make it better though. I like to interject extraneous anecdotes and interesting digressions, but if I can develop them into separate pieces of writing, then I'll feel better about letting them go. Joy is when I'm inspired and have the time to write.

I don't tink I've ever struck a balance with writing. I tend to write in spurts, whether it be a 3 hour blog post when I should be doing something else, or an all-nighter for a paper. I have to admit, I do sometimes let ideas marinate in my head for awhile before recording them; a product of having nothing to do on long commutes. My approach to homework in general wasn't that great: put it off until completion is only barely assured at a reasonable hour, then work on it with a perfectionist's mindset until done. Sometimes I would also do homework in class instead of socializing with classmates or giving my teacher my full attention.

The closest I've gotten to having a balance was with karate.  Karate was a class, so it was always at 7:30pm twice a week, and I would go to extra practice Sunday morning. Classes would last at least an hour. Sunday practice would last at least two hours. You could practice more if you arrived early or left late. There were many days that I didn't feel like going to karate, but I would force myself, telling myself that if I skipped one day, I would skip another, or that I'd gone to karate in worse condition, or that it was just an hour, and that I would feel better afterwards. I always did, although once or twice I had to sit down from anemia. Most of the time though, one would walk out of the dojo with a sense of accomplishment, relaxation, joy, and a rush of endorphins.

Writing is an art, but I find most artists far too indulgent with themselves; always seeking inspiration for their poetry or painting. I think a better model would be a classical musician. Classical musicians practice several hours a day. They are critical enough of themselves so that they find something to practice, something meaningful to work on and improve. They may not be inspired all of the time, but the hone their skills every day. All of that private practice and group rehearsal for a couple of performances.

I was not always a diligent piano player, but when I was I was methodical about my practice. I started out with nearly 20 minutes of just scales, as my teacher wanted. Then I would practice each piece I had for a certain amount of time. The first couple of times as a warm-up. Then I would choose something such as tempo or expression. If I had a problem spot, I would practice that until it was right. At these points, my daily practice time would exceed an hour and still not seem adequate.

If I apply that to writing, then I need to hone my skills every day. I need to set goals for how I want my writing to become. To do that, I get to spend more time reading to figure out what I admire in writing, even if it doesn't necessarily apply to mine. To practice my basics, I could write poetry, emphasizing rhyme or rhythm. I could do vignettes for plot or mood. For longer pieces, I would tackle any problem spots. Every once in awhile, I can work on something I truly find inspiring. If I do that enough times, maybe something will stick.

Writing goals:
  1. Apt alliteration, perhaps assonance and consonance
  2. Figure out if I want to keep writing sentence fragments. Or use dashes.
  3. Figure out what makes a good plot. Try to write more plot-oriented fiction.
  4. Mood sketches
  5. Character sketches
  6. Write a piece from 3 different points of view
  7. Increase humor with imaginative analogies and appropriate randomness (figure out when my writing is funny and why)